{"id":243,"date":"2020-12-07T14:49:15","date_gmt":"2020-12-07T13:49:15","guid":{"rendered":"https:\/\/berg-site.net\/?page_id=243"},"modified":"2021-07-20T19:19:27","modified_gmt":"2021-07-20T17:19:27","slug":"des-annees-1990-a-2018","status":"publish","type":"page","link":"https:\/\/berg-site.net\/?page_id=243","title":{"rendered":"De 1990 \u00e0 2018"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"243\" class=\"elementor elementor-243\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-15398fb elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"15398fb\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-dabb4cf\" data-id=\"dabb4cf\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b1c3134 elementor-widget elementor-widget-text-editor\" data-id=\"b1c3134\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<p><em>Apr\u00e8s le traumatisme provoqu\u00e9 par le d\u00e9c\u00e8s brutal de son fils a\u00een\u00e9 en 1972, Philippe Berg avait cess\u00e9 de peindre\u00a0s\u2019investissant alors durant pr\u00e8s de dix ans dans les \u00e9tudes d\u2019histoire de l\u2019art dont l\u2019aboutissement est une th\u00e8se de doctorat consacr\u00e9e \u00e0 un tableau du peintre n\u00e9erlandais J\u00e9r\u00f4me Bosch, le Jardin des D\u00e9lices. \u00a0\u00a0<\/em><\/p><p><em>C\u2019est un autre traumatisme qui lui redonne l\u2019envie de peindre \u00e0 nouveau\u00a0: en 1987, il est atteint d\u2019un cancer dont il gu\u00e9rit d\u00e9finitivement en 1990. \u00ab\u00a0Quand je me suis remis \u00e0 peindre, j\u2019ai r\u00e9alis\u00e9 \u00e0 quel point cela m\u2019avait manqu\u00e9\u00a0!\u00a0\u00bb. Et cette fois, Philippe Berg ne s\u2019arr\u00eatera plus\u00a0: durant 28 ans, jusqu\u2019\u00e0 ses derniers instants, il va dessiner et peindre des centaines et des centaines d\u2019\u0153uvres.<\/em><\/p><p>Le parti pris est r\u00e9solument n\u00e9ofiguratif. La technique n\u2019est plus au centre des pr\u00e9occupations de l\u2019artiste. Il s\u2019agit d\u2019exprimer toutes les \u00e9motions\u00a0: douleur, tristesse, angoisse, tendresse\u2026 Que l\u2019on n\u2019appr\u00e9cie ou pas, on ne peut rester indiff\u00e9rent.<\/p><p>\u00ab\u00a0<em>Peintre n\u00e9ofiguratif, Philippe Berg traque les impacts de la vie sur nos corps et nos visages. Kraft froiss\u00e9 ou non, papier, toile, aquarelle ou huile, quels que soient la technique ou le support, le peintre nous propose une approche kal\u00e9idoscopique de nos blessures les plus ordinaires<\/em>\u00a0\u00bb<\/p><p><em>(Commentaire de Monique Ra\u00efkovic, lors de l\u2019exposition organis\u00e9e \u00e0 l\u2019H\u00f4pital Georges Pompidou \u00e0 Paris, \u00e0 l\u2019occasion d\u2019un colloque m\u00e9dical consacr\u00e9 \u00e0 la prise en charge de la douleur).<\/em><\/p><p>Les premi\u00e8res ann\u00e9es, on retrouve les techniques des ann\u00e9es 1960\u00a0; certaines toiles sont d\u2019une grande violence, l\u2019artiste laisse exploser sa col\u00e8re, sa rage avec une profusion de couleurs vives. <\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b5a4e4b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b5a4e4b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-271d27a\" data-id=\"271d27a\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-cb38bea elementor-align-center elementor-widget elementor-widget-button\" data-id=\"cb38bea\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t<a href=\"https:\/\/berg-site.net\/?page_id=114\" class=\"elementor-button-link elementor-button elementor-size-sm\" role=\"button\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t<span class=\"elementor-button-icon elementor-align-icon-left\">\n\t\t\t\t<i aria-hidden=\"true\" class=\"far fa-caret-square-right\"><\/i>\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"elementor-button-text\">Cliquez ici<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Apr\u00e8s le traumatisme provoqu\u00e9 par le d\u00e9c\u00e8s brutal de son fils a\u00een\u00e9 en 1972, Philippe Berg avait cess\u00e9 de peindre\u00a0s\u2019investissant alors durant pr\u00e8s de dix ans dans les \u00e9tudes d\u2019histoire de l\u2019art dont l\u2019aboutissement est une th\u00e8se de doctorat consacr\u00e9e \u00e0 un tableau du peintre n\u00e9erlandais J\u00e9r\u00f4me Bosch, le Jardin des D\u00e9lices. \u00a0\u00a0 C\u2019est un [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-243","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/berg-site.net\/index.php?rest_route=\/wp\/v2\/pages\/243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/berg-site.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/berg-site.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/berg-site.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/berg-site.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=243"}],"version-history":[{"count":19,"href":"https:\/\/berg-site.net\/index.php?rest_route=\/wp\/v2\/pages\/243\/revisions"}],"predecessor-version":[{"id":370,"href":"https:\/\/berg-site.net\/index.php?rest_route=\/wp\/v2\/pages\/243\/revisions\/370"}],"wp:attachment":[{"href":"https:\/\/berg-site.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}